{"id":923,"date":"2018-03-04T12:31:13","date_gmt":"2018-03-04T11:31:13","guid":{"rendered":"http:\/\/sisiset.es\/producto\/nuevas-perspectivas-en-torno-al-saxofon-de-la-exploracion-sonora-a-la-composicion\/"},"modified":"2024-10-02T20:02:43","modified_gmt":"2024-10-02T18:02:43","slug":"nuevas-perspectivas-en-torno-al-saxofon-de-la-exploracion-sonora-a-la-composicion","status":"publish","type":"product","link":"https:\/\/sisiset.es\/ca\/producto\/nuevas-perspectivas-en-torno-al-saxofon-de-la-exploracion-sonora-a-la-composicion\/","title":{"rendered":"Nuevas perspectivas en torno al saxof\u00f3n. De la exploraci\u00f3n sonora a la composici\u00f3n."},"content":{"rendered":"
Presentaci\u00f3<\/strong><\/span>Els autors<\/strong><\/span>Exemples Musicales<\/strong><\/span>Multif\u00f2nics<\/strong><\/span><\/div>
\n

La investigaci\u00f3 de nous recursos t\u00e8cnics dels instruments ac\u00fastics contribueix a generar moltes possibilitats de material sonor. Aquests recursos, sotmesos a una posterior classificaci\u00f3 i control, poden aportar una nova aproximaci\u00f3 cap a l’instrument. Actualment, l’\u00fas de noves t\u00e8cniques, ha obert un camp de m\u00faltiples possibilitats tant per a instrumentistes com compositors.<\/span><\/p>\n

Al llarg de la hist\u00f2ria, exemples com els originats pel violinista Joseph Joachim i Brahms o el clarinetista Anton Stadler i Mozart van mostrar com la relaci\u00f3 entre compositor i int\u00e8rpret, a la recerca de noves possibilitats sonores, pot propiciar una ampliaci\u00f3 dels recursos interpretatius, aix\u00ed com una redefinici\u00f3 de l’escriptura instrumental. En l’actualitat, dins el camp del saxofon, hi ha m\u00faltiples mostres de manuals sorgits d’aquestes interaccions, com ara els realitzats per Jean-Marie Londeix (1989), Daniel Kientzy (1982, 2002) o Marcus Weiss i Giorgio Netti (2010). En tots ells s’aborden diferents aspectes t\u00e8cnics, amb m\u00e9s o menys grau de desenvolupament i sistematitzaci\u00f3, per\u00f2 la finalitat comuna \u00e9s la de facilitar resultats pr\u00e0ctics sobre els quals saxofonistes i compositors puguin desenvolupar noves possibilitats sonores.<\/p>\n

En Noves perspectives al voltant del saxofon. De l’exploraci\u00f3 sonora a la composici\u00f3 es pret\u00e9n, mitjan\u00e7ant diferents plantejaments t\u00e8cnics no abordats en llibres anteriors, plasmar diferents possibilitats sonores en sis diferents tipus de sax\u00f2fon. S’ofereix igualment una catalogaci\u00f3 de sons multif\u00f2nics en els saxofons sopranino i baix.<\/p>\n

Com a resultat de tot aquest proc\u00e9s de recerca, el compositor Alberto Posadas ha creat un cicle de sis peces, titulat Veredas, per a cada un dels diferents saxofons abordats, que quedar\u00e0 ineludiblement lligat al present tractat.<\/p>\n

\u00a0<\/div>\n

\n
<\/span>Ricard Capellino<\/strong><\/div>
\n

Ricard Capellino neix a Sueca (Val\u00e8ncia) el 1977 i aviat inicia els seus estudis musicals en aquesta localitat rebent classes de nombrosos professors com Francisco P\u00e9rez, Alberto Ripoll, Enrique P\u00e9rez, Javier De la Vega …, i rebent cursos de perfeccionament de professors com Manuel Mij\u00e1n , Andr\u00e9s Gomis, Daniel Kientzy, Jean-Ives Formeau, Daniel Deffayet, Jean-Marie Londeix, Claude Delangle, Casa-Bernardette Charrier i Marcus Weiss entre d’altres.<\/strong><\/em><\/p>\n

Entre la seva \u00e0mplia carrera art\u00edstica, destacar diversos premis i l’haver estat finalista en concursos tant nacionals com internacionals, aix\u00ed com haver obtingut tant el t\u00edtol de professor, com el de professor superior, amb les m\u00e9s altes qualificacions i Menci\u00f3 Honor\u00edfica per unanimitat al C.S.M. Joaqu\u00edn Rodrigo de Val\u00e8ncia.<\/p>\n

Ha participat com a int\u00e8rpret i solista en nombroses parts del m\u00f3n com Par\u00eds, Bordeus, Berlin, Basilea, Lisboa, Mil\u00e0, H\u00e8lsinki, Sants, Amsterdam, Sao Paulo, Madrid, Alacant, Santiago de Xile, Salamanca, etc., en diferents cicles i festivals Internacionals de M\u00fasica Contempor\u00e0nia (Festival Musica Nova Sao Paulo, contempor\u00e0niament-Lodi de Milan, ENSEMS de Val\u00e8ncia, Unerh\u00f6rte-Musik de Berl\u00edn, Klang Festival a H\u00e8lsinki, Mostra Sonora de Sueca, Institut Cervantes de Paris, Festival Smash de Salamanca, Auditori Nacional de M\u00fasica Madrid, Musicadhoy de Madrid, Opus Festival de Bordeus, etc …) estrenant nombroses obres actuals de diferents compositors de prestigi internacional, algunes d’aquestes dedicades a ell mateix. T\u00e9 diversos registres per a RTVE, RNE, R\u00e0dio i Televisao de Portugal, R\u00e0dio 1 de Finl\u00e0ndia … i \u00e9s convidat a participar en xerrades, jornades i congressos de sax\u00f2fon.<\/p>\n

Implicat en la interpretaci\u00f3 de m\u00fasica contempor\u00e0nia, ha col\u00b7laborat amb diferents ensembles internacionals com Espai Sonor i TDM Trio De M\u00e0gia, compaginant aquesta faceta amb la pedag\u00f2gica i la investigadora. En l’actualitat forma part del Trio Feedback.<\/p>\n

T\u00e9 nombrosos enregistraments: 2 CDs amb l’Ensemble Espai Sonor i sota el segell stradivarius amb M\u00fasica d’Aureliano Cattaneo i Voro Garc\u00eda, 1 DVD amb la m\u00fasica de Jos\u00e9 Manuel L\u00f3pez L\u00f3pez (La Gran Celeste) amb imatges del cineasta Pascal Auger i altres 2 CDs , com a solista, titulats Alla Ment amb m\u00fasica de Mauricio Sotelo, Voro Garc\u00eda, Jos\u00e9 Manuel L\u00f3pez i Jes\u00fas Torres, i Introspecti (on) s amb m\u00fasica d’Alberto Posadas, Mark Andre, H\u00e8ctor Parra i Rapha\u00ebl Cendo. Actualment prepara un nou treball sobre les noves possibilitats sonores del saxofon i dos CD com a solista i de cambra actual.<\/p>\n

Des de 1999 pertany al cos de professors de m\u00fasica i arts esc\u00e8niques i exerceix la seva faceta pedag\u00f2gica en diversos Conservatoris Professionals de M\u00fasica, sent convidat en ocasions a impartir master-classes i confer\u00e8ncies en prestigiosos centres nacionals i de l’estranger.<\/p>\n

Ricardo Capellino interpreta exclusivament amb sax\u00f2fons Selmer-Paris.<\/p>\n<\/div><\/div>\n

<\/span>Alberto Posadas<\/strong><\/div>
\n


\nAlberto Posadas neix a Valladolid el 1967. En aquesta ciutat inicia els seus estudis musicals. M\u00e9s tard es trasllada a Madrid a estudiar composici\u00f3 amb Francisco Guerrero.<\/strong><\/em><\/p>\n

La seva obra ha explorat tant la relaci\u00f3 entre m\u00fasica, naturalesa i matem\u00e0tiques, com amb altres disciplines art\u00edstiques. Durant anys ha investigat el que denomina microinstrumentaci\u00f3, concepte basat en la idea d’obtenir material musical a partir dels recursos que l’ac\u00fastica dels instruments ofereix a escala microsc\u00f2pica.<\/p>\n

El 2002 va rebre el premi del p\u00fablic del festival Ars Musica de Brussel\u00b7les. Va ser seleccionat pel comit\u00e8 de lectura de l’IRCAM (en l’edici\u00f3 2003\/04), instituci\u00f3 en la qual ha estat compositor en resid\u00e8ncia en diversos per\u00edodes. El 2011 va rebre el Premi Nacional de M\u00fasica concedit pel Ministeri de Cultura d’Espanya. El 2014 el Govern Lliure de Baviera li va seleccionar com a compositor en resid\u00e8ncia de la Internationales K\u00fcnstlerhaus Vila Conc\u00f2rdia a Bamberg (Alemanya). Aix\u00ed mateix \u00e9s compositor en resid\u00e8ncia al Wissenschaftskolleg de Berl\u00edn en el per\u00edode 2016\/17.<\/p>\n

Festivals i temporades de concerts com MUSICA Strasbourg, Ultraschall (Berlin), Wittener Tage f\u00fcr Neue Kammermusik, Festival vaig manifestar (Paris), Huddersfield Contemporary Music Festival, Tage f\u00fcr Neue Musik Z\u00fcrich, CDMC (Madrid) o Musicadhoy (Madrid) han dedicat concerts monogr\u00e0fics a la seva m\u00fasica. Tamb\u00e9 ha participat en festivals com Donaueschinger Musiktage, Agora (IRCAM, Paris), Festival d’Automne \u00e0 Paris, Eclat (Stuttgart), Ars Musica (Brussel\u00b7les), Encontros Gulbenkian (Lisboa), Warszawska Jesien (Vars\u00f2via), Ultima (Oslo) , Klangspuren (Schwaz-Innsbruck), o Operadhoy (Madrid).<\/p>\n

Alberto Posadas \u00e9s regularment convidat com a professor de composici\u00f3 en marcs com Session de Composition \u00e0 Royaumont (Fran\u00e7a) el 2012, Takefu International Music Festival (Jap\u00f3) in 2013, Acad\u00e9mie de composition Philippe Manoury de MUSICA Festival (Estrasburg) el 2016, vaig manifestar Academy ( Paris) el 2017, oa la Musikhochschule de Lucerna a 2017\/18.<\/p>\n<\/div><\/div>\n

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<\/span>Cierres en serie<\/em><\/div>
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mp3<\/em>. 1.1\u00a0 Alberto Posadas, Ruinas. <\/em>Tenor Sx.\u00a0<\/span>\u00a0

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mp3<\/em>. 1.2\u00a0 Alberto Posadas, Arietta. <\/em>Sopranino Sx.\u00a0<\/span>

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<\/span>Escalas crom\u00e1ticas con llaves a\u00f1adidas<\/em><\/div>
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mp3<\/em>. 2.1\u00a0 Alberto Posadas, Fragmentos facturados I. <\/em>Alto Sx.\u00a0<\/span>

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mp3<\/em>. 2.2a\u00a0 Alberto Posadas, Ruinas. <\/em>Tenor Sx.\u00a0<\/span>

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mp3<\/em>. 2.2b\u00a0 Alberto Posadas, Ruinas. <\/em>Tenor Sx.\u00a0<\/span>

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mp3<\/em>. 2.3\u00a0 Alberto Posadas, Arietta. <\/em>Sopranino Sx.\u00a0<\/span>

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<\/span>Multitrinos<\/em><\/div>
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mp3<\/em>. 3.1a\u00a0 Tenor Sx.\u00a0<\/span>

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mp3<\/em>. 3.1b\u00a0Tenor Sx.\u00a0<\/span>

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mp3<\/em>. 3.2\u00a0 Tenor\u00a0Sx.\u00a0<\/span>

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mp3<\/em>. 3.3\u00a0Alto Sx.<\/span>

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mp3<\/em>. 3.4\u00a0 Soprano Sx.<\/span>

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mp3<\/em>. 3.5a\u00a0 Sopranino Sx.<\/span>

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mp3<\/em>. 3.5b\u00a0 Soprano Sx.<\/span>

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mp3<\/em>. 3.5c\u00a0 Alto Sx.<\/span>

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mp3<\/em>. 3.5d\u00a0 Baritone Sx.<\/span>

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mp3<\/em>. 3.5e\u00a0 Bass Sx.<\/span>

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<\/span>Tr\u00e9molos y trinos bicrom\u00e1ticos<\/em><\/div>
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mp3<\/em>. 4.1a\u00a0 Alberto Posadas, Ruinas<\/em>. Tenor Sx.\u00a0

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mp3<\/em>. 4.1b Alberto Posadas, Ruinas<\/em>. Tenor Sx.\u00a0

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mp3<\/em>. 4.2\u00a0 Tr\u00e9molos y trinos bicrom\u00e1ticos. Bass Sx.\u00a0

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<\/span>Arm\u00f3nicos<\/em><\/div>
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mp3<\/em>. 5.1.1\u00a0 Bass\u00a0Sx.

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mp3<\/em>. 5.1.2\u00a0 Baritone\u00a0Sx.\u00a0

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mp3<\/em>. 5.2.1\u00a0 Alberto Posadas, Fragmentos Fracturados I<\/em>. Alto Sx.\u00a0

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mp3<\/em>. 5.3.1\u00a0 Alberto Posadas, Fragmentos Fracturados I<\/em>. Alto Sx.\u00a0

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mp3<\/em>. 5.4.1\u00a0 Alberto Posadas, Fragmentos Fracturados I<\/em>. Alto Sx.\u00a0

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mp3<\/em>. 5.4.2a\u00a0 Bass\u00a0Sx.\u00a0

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mp3<\/em>. 5.4.2b\u00a0 Bass\u00a0Sx.\u00a0

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mp3<\/em>. 5.4.3\u00a0 Soprano Sx.\u00a0

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<\/span>Teeth Notes<\/em><\/div>
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mp3<\/em>. 6.1a\u00a0 Pitch Range. Sopranino Sx.

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mp3<\/em>. 6.1b\u00a0 Pitch Range. Bass Sx.\u00a0

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mp3<\/em>. 6.2a\u00a0 Teeth with Flatterzunge. Bass\u00a0Sx.\u00a0

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mp3<\/em>. 6.2b\u00a0 Teeth with Flatterzunge. Bass\u00a0Sx.\u00a0

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mp3<\/em>. 6.2c\u00a0 Teeth with Flatterzunge. Bass\u00a0Sx.\u00a0

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mp3<\/em>. 6.3a\u00a0 Teeth with voice. Bass\u00a0Sx.\u00a0

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mp3<\/em>. 6.3b\u00a0 Teeth with voice. Bass\u00a0Sx.

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mp3<\/em>. 6.3c\u00a0 Teeth with voice. Bass\u00a0Sx.

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<\/span>Dispositivos adicionales en el saxof\u00f3n<\/div>
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mp3<\/em>. 7.A.1.1a\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.

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mp3<\/em>. 7.A.1.1b\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

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mp3<\/em>. 7.A.1.1c\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

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mp3<\/em>. 7.A.1.2\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

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mp3<\/em>. 7.A.2.1a\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

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mp3<\/em>. 7.A.2.1b\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

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mp3<\/em>. 7.A.2.1c\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

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mp3<\/em>. 7.A.2.1d\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

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mp3<\/em>. 7.A.2.1e\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

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mp3<\/em>. 7.B.1.1a\u00a0 Soprano\u00a0Sx. with wah-wah<\/em> mute.\u00a0

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mp3<\/em>. 7.B.1.1b\u00a0 Tenor Sx. with wah-wah<\/em> mute.\u00a0

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mp3<\/em>. 7.B.1.2a\u00a0 Alberto Posadas, Arietta<\/em>. Soprano Sx. with straight<\/em> mute.\u00a0

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mp3<\/em>. 7.B.1.2b\u00a0 Bass Sx. with wah-wah<\/em> mute.\u00a0

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mp3<\/em>. 7.B.1.2c\u00a0 Tenor Sx. with wah-wah<\/em> mute.\u00a0

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mp3<\/em>. 7.B.1.3a\u00a0 Tenor Sx. with wah-wah<\/em> mute.\u00a0

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mp3<\/em>. 7.B.1.3b\u00a0 Soprano Sx. with wah-wah<\/em> mute.\u00a0

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mp3<\/em>. 7.B.1.3c\u00a0 Alberto Posadas, Arietta. Sopranino Sx. with straight<\/em> mute.\u00a0

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mp3<\/em>. 7.B.1.4a\u00a0 Tenor Sx. with wah-wah<\/em> mute.\u00a0

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mp3<\/em>. 7.B.1.4b\u00a0 Bass Sx. with wah-wah<\/em> mute.\u00a0

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mp3<\/em>. 7.B.1.5a\u00a0 Bass Sx. with wah-wah<\/em> mute.\u00a0

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mp3<\/em>. 7.B.1.5b\u00a0 Bass Sx. with wah-wah<\/em> mute.\u00a0

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mp3<\/em>. 7.B.1.5c\u00a0 Bass Sx. with wah-wah<\/em> mute.\u00a0

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Descargar Ejemplos Musicales<\/a>. ZIP. MP3<\/p>\n<\/div>\n

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<\/span>Sax\u00f2fon Sopranino<\/div>
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