{"id":923,"date":"2018-03-04T12:31:13","date_gmt":"2018-03-04T11:31:13","guid":{"rendered":"http:\/\/sisiset.es\/producto\/nuevas-perspectivas-en-torno-al-saxofon-de-la-exploracion-sonora-a-la-composicion\/"},"modified":"2024-10-02T20:02:43","modified_gmt":"2024-10-02T18:02:43","slug":"nuevas-perspectivas-en-torno-al-saxofon-de-la-exploracion-sonora-a-la-composicion","status":"publish","type":"product","link":"https:\/\/sisiset.es\/en\/producto\/nuevas-perspectivas-en-torno-al-saxofon-de-la-exploracion-sonora-a-la-composicion\/","title":{"rendered":"New perspectives on the saxophone. From sonic exploration to composition"},"content":{"rendered":"
Presentation<\/strong><\/span>The authors<\/strong><\/span>Musical Examples<\/strong><\/span>Multiphonics<\/strong><\/span><\/div>
\n

Investigation of new technical resources for acoustic instruments helps to create many additional sonic material possibilities. Such resources, subsequently classified and monitored, can offer a new approach to the instrument. Currently, the use of novel techniques has opened up a field of multiple possibilities for both players and composers.<\/p>\n

There have throughout history been examples such as those originating with the violinist Joseph Joachim and Brahms, or the clarinetist Anton Stadler and Mozart, demonstrating how the relation between composer and performer in the search for new sound possibilities may foster a broadening of interpretative resources and redefine instrumental writing. At present, in the saxophone field, such interactions have generated many manuals, e.g. Jean-Marie Londeix (1989), Daniel Kientzy (1982, 2002) or Marcus Weiss and Giorgio Netti (2010). All deal with various technical aspects, more or less developed and systematised, but their common final aim is to provide practical results allowing saxophonists and composers to develop new sonorous possibilities.<\/p>\n

The aim of New perspectives on the saxophone. From sonic exploration to composition is to offer different technical approaches, not dealt with previously, to give form to different sonic possibilities for six different types of saxophone, while also putting forward a classification of multiphonic sounds for the sopranino and bass saxophones.<\/p>\n

As a result of this search, the composer Alberto Posadas has written a cycle of six works with the title Veredas for each of the saxophones considered, which will be intimately linked to this text.<\/p>\n

\u00a0<\/div>\n

\n
<\/span>Ricard Capellino<\/strong><\/div>
\n

Ricard Capellino<\/strong><\/em> was born in Sueca (Val\u00e8ncia) in 1977, soon beginning musical studies with classes from many teachers such as Francisco P\u00e9rez, Alberto Ripoll, Enrique P\u00e9rez, Javier De la Vega\u2026 and finishing courses with Manuel Mij\u00e1n, Andr\u00e9s Gomis, Daniel Kientzy, Jean-Ives Formeau, Daniel Deffayet, Jean-Marie Londeix, Claude Delangle, Marie-Bernardette Charrier, Marcus Weiss and others.<\/p>\n

Outstanding in his wide-ranging artistic career have been a number of prizes as finalist in national and international competitions as well as winning both a teaching degree and a senior degree with top qualifications and a unanimous Honours award at the Joaqu\u00edn Rodrigo Conservatory in Valencia.<\/p>\n

He has played in many parts of the world including Paris, Bordeaux, Berlin, Basel, Lisbon, Milan, Helsinki, Santos, Amsterdam, Sao Paulo, Madrid, Alicante, Santiago de Chile, Salamanca\u2026 in various cycles and Contemporary Music Festivals (Musica Nova Sao Paulo, Contemporaneamente-Lodi in Milan, ENSEMS in Valencia, Unerh\u00f6rte-Musik in Berlin, Klang Festival in Helsinki, Mostra Sonora in Sueca, the Cervantes Institute in Paris, the Smash Festival in Salamanca, at the National Auditorium in Madrid, Musicadhoy in Madrid, Opus Festival in Bordeaux, etc\u2026 ). He has also premiered many works by composers of international standing, some dedicated to him. He has made many recordings for Spanish Radio and Television, Spanish National Radio, Radio e Televisao de Portugal, Finnish Radio 1\u2026 and he has been invited to discussions, seminars and congresses on the saxophone.<\/p>\n

Involved in diverse projects on performing contemporary music, he has collaborated with such international ensembles as Espai Sonor and TDM Trio De Magia, combining this aspect with teaching and research. He is currently a member of the Feedback Trio.<\/p>\n

Ricard Capellino has made many recordings: two CDs with Espai Sonor Ensemble (on the stradivarius label) with music by Aureliano Cattaneo and Voro Garc\u00eda, a DVD with music by Jos\u00e9 Manuel L\u00f3pez L\u00f3pez (La Grande Celeste) and images of filmmaker Pascal Auger, and two other CDs, as soloist, called Alla Mente with music by Mauricio Sotelo, Voro Garc\u00eda, Jos\u00e9 Manuel L\u00f3pez L\u00f3pez and Jes\u00fas Torres, and Instrospecti(on)s with music by Alberto Posadas, Mark Andr\u00e9, H\u00e8ctor Parra and Rapha\u00ebl Cendo. He is at present preparing a new project about new sonic possibilities for the saxophone, and a further two CDs as soloist and with chamber music.<\/p>\n

Since 1999, a member of Teachers of Music and Scenic Arts, and teaching in many Conservatories, invited to give master-classes and lectures at prestigious Spanish teaching institutions and abroad.<\/p>\n

Ricard Capellino plays exclusively Selmer-Paris instruments.<\/p>\n<\/div><\/div>\n

<\/span>Alberto Posadas<\/strong><\/div>
\n

Alberto Posadas<\/strong><\/em> was born in Valladolid (Spain) in 1967, where he received his first musical training, later moving to Madrid to study composition with Francisco Guerrero.<\/p>\n

His work has explored the relationship between nature, mathematics and music, as well as with other artistic disciplines. For years he has researched what he has called micro-instrumentation, a concept based on the idea of obtaining musical material after exploring the acoustics of the instruments at a micro level.<\/p>\n

In 2002 he received the Audience Award at the festival Ars Musica Bruxelles. He was selected by the IRCAM reading panel (edition 2003\/04), an institution where he has regularly been composer in residence. In 2011 he received the National Music Prize awarded by the Spanish Ministry of Culture. In 2014 he also was awarded a stipend by the Free State of Bavaria (Germany) as artist in residence at the Internationales K\u00fcnstlerhaus Villa Concordia in Bamberg. He was also composer in residence at the Wissenschaftskolleg in Berlin in 2016\/17.<\/p>\n

Festivals and concert series such as MUSICA Strasbourg, ULTRASCHALL (Berlin), Wittener Tage f\u00fcr Neue Kammermusik, Festival ManiFeste (Paris), Huddersfield Contemporary Music Festival, Tage f\u00fcr Neue Musik Z\u00fcrich, CDMC (Madrid) or Musicadhoy (Madrid) have devoted monographic concerts to his music. He has also participated in festivals such as Donaueschinger Musiktage, Agora (IRCAM, Paris), Festival d\u2019Automne \u00e0 Paris, Eclat (Stuttgart), Ars Musica (Brussels), Encontros Gulbenkian (Lisbon), Warszawska Jesien (Warsaw), Ultima (Oslo), Klangspuren (Schwaz \u2013Innsbruck), Operadhoy (Madrid).<\/p>\n

Alberto Posadas has been invited as lecturer in composition as part of Session de Composition \u00e0 Royaumont (France) in 2012, the Takefu International Music Festival (Japan) in 2013, the Acad\u00e9mie de composition Philippe Manoury at the MUSICA Festival (Strasbourg) in 2016, the ManiFeste Academy (Paris) in 2017 or Musikhochschule Luzern in 2017\/18.<\/p>\n<\/div><\/div>\n

<\/div>\n

\n
<\/span>Closure in series<\/em><\/div>
\n

mp3<\/em>. 1.1\u00a0 Alberto Posadas, Ruinas. <\/em>Tenor Sx.\u00a0<\/span>\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div>\n

mp3<\/em>. 1.2\u00a0 Alberto Posadas, Arietta. <\/em>Sopranino Sx.\u00a0<\/span>

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div> <\/div><\/div>\n
<\/span>Chromatic scales with added keys<\/em><\/div>
\n

mp3<\/em>. 2.1\u00a0 Alberto Posadas, Fragmentos facturados I. <\/em>Alto Sx.\u00a0<\/span>

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div>\n

mp3<\/em>. 2.2a\u00a0 Alberto Posadas, Ruinas. <\/em>Tenor Sx.\u00a0<\/span>

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div>\n

mp3<\/em>. 2.2b\u00a0 Alberto Posadas, Ruinas. <\/em>Tenor Sx.\u00a0<\/span>

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div>\n

mp3<\/em>. 2.3\u00a0 Alberto Posadas, Arietta. <\/em>Sopranino Sx.\u00a0<\/span>

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>\n
<\/span>Multi-trills<\/em><\/div>
\n

mp3<\/em>. 3.1a\u00a0 Tenor Sx.\u00a0<\/span>

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div>\n

mp3<\/em>. 3.1b\u00a0Tenor Sx.\u00a0<\/span>

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div>\n

mp3<\/em>. 3.2\u00a0 Tenor\u00a0Sx.\u00a0<\/span>

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div>\n

mp3<\/em>. 3.3\u00a0Alto Sx.<\/span>

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div>\n

mp3<\/em>. 3.4\u00a0 Soprano Sx.<\/span>

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div>\n

mp3<\/em>. 3.5a\u00a0 Sopranino Sx.<\/span>

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div>\n

mp3<\/em>. 3.5b\u00a0 Soprano Sx.<\/span>

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div>\n

mp3<\/em>. 3.5c\u00a0 Alto Sx.<\/span>

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div>\n

mp3<\/em>. 3.5d\u00a0 Baritone Sx.<\/span>

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div>\n

mp3<\/em>. 3.5e\u00a0 Bass Sx.<\/span>

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>\n
<\/span>Tremolos and Bichromatic Trills<\/em><\/div>
\n

mp3<\/em>. 4.1a\u00a0 Alberto Posadas, Ruinas<\/em>. Tenor Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 4.1b Alberto Posadas, Ruinas<\/em>. Tenor Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 4.2\u00a0 Tr\u00e9molos y trinos bicrom\u00e1ticos. Bass Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/div><\/div>\n
<\/span>H<\/em>armonics<\/em><\/div>
\n

mp3<\/em>. 5.1.1\u00a0 Bass\u00a0Sx.

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 5.1.2\u00a0 Baritone\u00a0Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 5.2.1\u00a0 Alberto Posadas, Fragmentos Fracturados I<\/em>. Alto Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 5.3.1\u00a0 Alberto Posadas, Fragmentos Fracturados I<\/em>. Alto Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 5.4.1\u00a0 Alberto Posadas, Fragmentos Fracturados I<\/em>. Alto Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 5.4.2a\u00a0 Bass\u00a0Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 5.4.2b\u00a0 Bass\u00a0Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 5.4.3\u00a0 Soprano Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/div><\/div>\n
<\/span>Teeth Notes<\/em><\/div>
\n

mp3<\/em>. 6.1a\u00a0 Pitch Range. Sopranino Sx.

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 6.1b\u00a0 Pitch Range. Bass Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 6.2a\u00a0 Teeth with Flatterzunge. Bass\u00a0Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 6.2b\u00a0 Teeth with Flatterzunge. Bass\u00a0Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 6.2c\u00a0 Teeth with Flatterzunge. Bass\u00a0Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 6.3a\u00a0 Teeth with voice. Bass\u00a0Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 6.3b\u00a0 Teeth with voice. Bass\u00a0Sx.

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 6.3c\u00a0 Teeth with voice. Bass\u00a0Sx.

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/div><\/div>\n
<\/span>Additional saxophone devices<\/em><\/div>
\n

mp3<\/em>. 7.A.1.1a\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.A.1.1b\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.A.1.1c\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.A.1.2\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.A.2.1a\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.A.2.1b\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.A.2.1c\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.A.2.1d\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.A.2.1e\u00a0 Alberto Posadas, Objetos de la Noche<\/em>. Baritone Sx.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.B.1.1a\u00a0 Soprano\u00a0Sx. with wah-wah<\/em> mute.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.B.1.1b\u00a0 Tenor Sx. with wah-wah<\/em> mute.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.B.1.2a\u00a0 Alberto Posadas, Arietta<\/em>. Soprano Sx. with straight<\/em> mute.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.B.1.2b\u00a0 Bass Sx. with wah-wah<\/em> mute.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.B.1.2c\u00a0 Tenor Sx. with wah-wah<\/em> mute.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.B.1.3a\u00a0 Tenor Sx. with wah-wah<\/em> mute.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.B.1.3b\u00a0 Soprano Sx. with wah-wah<\/em> mute.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.B.1.3c\u00a0 Alberto Posadas, Arietta. Sopranino Sx. with straight<\/em> mute.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.B.1.4a\u00a0 Tenor Sx. with wah-wah<\/em> mute.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.B.1.4b\u00a0 Bass Sx. with wah-wah<\/em> mute.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.B.1.5a\u00a0 Bass Sx. with wah-wah<\/em> mute.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.B.1.5b\u00a0 Bass Sx. with wah-wah<\/em> mute.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/p>\n

mp3<\/em>. 7.B.1.5c\u00a0 Bass Sx. with wah-wah<\/em> mute.\u00a0

<\/div>
<\/span><\/span><\/span><\/span><\/span><\/span><\/div>
<\/div><\/div><\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div><\/div><\/span><\/span><\/div><\/div>\n

Downloads Musical<\/a> Examples<\/a>. ZIP. MP3<\/p>\n<\/div>\n

\n
<\/span>Sopranino Saxophone<\/div>
\n